Die Premiere von "Ruf der Wildnis II " beim Wunderwelten Festival in Friedrichshafen am Bodensee.

( English version see below)

Es dauerte einige Wochen in denen Emil und ich intensiv an unsere neuen Multivisionshow “Ruf der Wildnis II” arbeiteten. Dann war es soweit. Die Premiere beim Wunderwelten Festival am 7. November 2010 in Friedrichshafen. “Ruf der Wildnis” – eine Homage an Jack London, der meine Leidenschaft für die Wildnis Nordamerikas geweckt hat.  Es war ein unglaubliches Gefühl zu sehen, wie sich das Graf Zeppelin Haus immer weiter füllte bis ich zuletzt vor einem Ausverkauften Saal stand und 1000 Besucher vor mir hatte. Die gewaltige Leinwand von über 12 m Breite ließ die Bilder zur vollen Wirkung kommen. In der neuen Show hatte ich die Gelegenheit, viele meiner Erlebnisse in der Wildnis Nordamerikas – zwischen Alaska und Baja Kalifornien, Mexiko – an die Zuschauer weiterzugeben.

Visions of the Arctic event with Earthjustice in the Times Building in New York City

Auf WunderWelten folgte dann eine Tournee in der Schweiz, Vorträge in Nord Amerika und weitere Festivals, so dass ich in den letzten 3 Monaten an über 7000 Besucher meine Bilder und Erlebnisse weitergeben konnte. Ich muss ehrlich sagen, es ist anstrengend, wenn man oft Tag um Tag auf der Bühne steht. Aber ich habe es lieben gelernt, denn das Medium des “Live-Vortrags” ist etwas besonderes. Menschen nehmen die Bilder, die Erlebnisse und auch die Botschaft ganz anders wahr, als z.B. in einem Dokumentarfilm aus dem Fernsehen oder etwa im Kino.

Florian speaking at a Earthjustice event in New York

Für mich war es ganz besonders, die eindrücklichsten Erlebnisse unserer Reisen und Expeditionen für unsere Multivisions-Show aufzuarbeiten. Es gab mir nämlich die Chance mich an die verschiedenen Orte zurückzuversetzten und mich daran zu erinnern, was ich damals gefühlt habe. In den Vorbereitungen der Show achten wir ganz besonders auf die Bilderfolge um die Witterungen und Lichtstimmungen in der Wildnis weiterzugeben. Emil hat besondere Fähigkeiten in der Muskikauswahl und der Abstimmung auf die Bilder, so dass wir das Erlebte als gefühlte Atmosphäre weitergeben können. So können wir unsere Zuschauer in die Wildnis entführen.

Gleichzeitig gibt es mir die Möglichkeit über wichtige Naturschutzprojekte zu sprechen und auch auf direkte Gefahren für einige der Wildnis-Regionen, in denen ich arbeite, hinzuweisen. Das Rückmeldungen bisher waren überwältigend! Gerade gestern habe ich wieder eine ganz besondere  Email erhalten, von der ich einen kleinen Auszug zitieren will: ” Selten habe ich Menschen um mich herum so mitfiebern sehen. Die Geschichte vom Karibu-Kalb, die Wölfe und Bären, das, was Du von Euch erzählt hast – grandios ! …….
Von der Macht der Bilder bin ich immer überzeugt gewesen, doch dass sie so eine intensive Wirkung haben können, dass sie direkt “ins Herz gehen “, hätte ich nicht für möglich gehalten ! “

Über 1600 Besucher bei der Mundologia in Freiburg - bisher unser größtes Publikum

Vor Jahren habe ich einmal einen Zeitungsartikel über die Fotografie im Zeitalter des Films geschrieben. Obwohl ich auch kleine Filmabschnitte in meinem Vortrag habe, wurde mir wieder klar wie besonders das stehende Bild ist. Man kann einfach die Augen eine Weile lang auf den Fotografien ruhen lassen. So kann man z.B. den heruaspringenden Wal wirklich erfassen. Das Medium des “Life-Vortrags” bringt etwas ruhe in unseren hektischen Alltag.

"Ruf der Wildnis II" bei der Mundologia 2011

Die Zeit der Vorträge ist nun vorbei und ich werde mich nun wieder auf die Arbeit im Feld konzentrieren. Falls Sie bei Ruf der Wildnis waren, bedanke ich mich für Ihr Kommen. Hoffentlich dann bis zu unserer nächsten Show über die Arktis.

The pemiere of our "Call of the Wild" show at the WunderWelten Festival

It took a number of weeks of concentrated work until Emil and I had finished our new multimedia presentation “Call of the Wild II”.  As a child I was inspired by Jack London to explore the wilds of North America with his picturesque language. We presented our premiere at the WunderWelten-Festival on the 7th of November 2010 in Friedrichshafen at Lake Constance. It was an incredible experience to see how many people flocked to the event until I stood in front of a sold-out hall with 1000 guests. The giant screen brought the images to life. In the new show, I had the opportunity to share my experiences in the wilderness of North America between Alaska and Baja California, with the audience.

WunderWelten was followed by a tour through Switzerland with over 18 events, other presentations in North America and Festivals in Germany. In the course of the last 3 months I was able to share my images and stories with over 7000 people. I have to be honest – being on stage day after day can be tiring, yet I became to love this medium of the “live-presentation”. It is very special. People experience the images, stories and the message in a very different way from a documentary on TV or a film in the movies.

Florian speaking at a Earthjustice event in the Times Building in New York City

It was a great experience for me to turn some of our most memorable experiences from our travels and expeditions into a multimedia presentation. It gave me the opportunity to travel back to the different locations through my mind and remember what I felt at the time. When we prepare the show we take special care to reproduce the  atmosphere of weather and light. Emil has a special ear for the ideal music that goes well with the images to reflect the mood of a place. This way we are able to take our audience out into the wilderness with us.

At the same time, I have the chance to talk about important environmental issues and specific threats to wilderness areas I am documenting. The feedback has been overwhelming. I just received another wonderful email yesterday: ” Seldom have I experience the people around me so involved. The story of the Caribou, the wolves and bears, an all the stories you were sharing – magnificent ! …. I always was certain that images had immense power, but I had absolutely no idea, that they could have such an incredible impact, that they go directly  “into the heart” ; that I would have never seen possible in such intensity ! “

With over 1600 people our larges audience to date at the Mundologia Festival in Freiburg, Southern Germany

Years ago I wrote a newspaper article about still images in the era of the moving picture. Even though I also have included some film clips, I once again realized the power of the still image. The eye can rest and absorb the photograph. The medium of the live presentation brings some calmness into our hectic society.

Our show "Call of the Wild II" at the Mundologia 2011

The time of presentations this spring has come to an end now. We now have to concentrate on our field work until the fall – when we will have a new series of shows.

Florian looks trhough a curtain of frozen needles inside the glacier cave, Svalbard.

With our guide Christopher we are getting the first impressions of the Svalbard landscape. With four teams of eager and highly energetic sled dogs we are heading out. The mountainous landscape is under a soft blanket of snow. The silence is interrupted only by the barking and yelping of the dog teams. We are planning to travel up to a glacier and enter through a narrow cave deep into the center of the frozen body of ice.

Sled dogs doing what they love the most, pulling!

The dogs had had a good rest before our trip and so the are ready to go. It is all that is on their mind. Everything needs to be tightly tied down on the sleds and before we give the go, we need to tie it down with a “ice hook” so that the dogs don`t take off with the sled by themselves. Once the sled is off the hook, the dogs take off like a bullet. The only way to slow the sled down is to push down on an iron plow-like break that digs itself into the snow.

Ice formations inside a glacier cave, Svalbar

Once the sled is on the go all the dogs are completely focused on pulling. Every individual wants to do its part and not lack behind. I guess that is what they are bread for. Pulling is what is on their mind. We make it up to the cave. I have little idea of what to expect. As my eyes start to adapt to the darkness I see a wonderful sculptured cave landscape. In some areas water must have melted late in the season and has created incredible ice sculptures. With my flashlight I am painting over the formations, leaving the curtain of my camera open for over one minute. The image that appears on the back of the viewfinder reminds me of a “Cathedral of Ice”.

As the water trickles inside, it glides over the icy surface and creates frozen needles hanging from the sealing of the cave. Svalbard

I had a small tripod with which it was easy to enter some of the narrow cavities. I used a cable release with a lock mechanism so I could keep have exposure times of 1 to 2 minutes. Another key was the more neutral colored LED light of my headlamp. It allowed for a more curate rendering of the colors.

Click here to view the embedded video.

Wrapped in layers of clothes I am laying on my stomach, watching a large group of longhaired beasts, that seemed to be from a prehistoric world. The wind has picked up in the course of the night to 40 miles and hour. It whips up the mountain sides and sweeps up small ice crystals that hit my skin like needles. In different areas blowing snow becomes thick and travels across the ground like a ghost of fog.

As parts of my face start to get colder and want to turn numb; and my hands can’t handle my camera anymore, I am thinking how lucky I am to be hit with this weather. It is these types of conditions, that I was hoping for. In my photography I really want to convey a sense of place – take people out into the field with me. For that, my images need to convey the harsh weather conditions, the powerful elements of the wind and the cold.

I am laying on the ground to get a unique perspective. The blowing snow creates this mystical atmosphere and ads to my interpretation of an animal that rather belongs to a children’s fairytale than to this world. I also have learned that the Muskoxen are much less mindful of my presence if I stay low to the ground. They often just eye me with curiosity.

As I am out there observing them many hours a day, I become ever more fascinated. What puzzles me the most is how they can live of a few lichen on the barren tundra, that they scratch up from underneath the snow. How can they possibly receive sufficient energy from this bit of vegetation to withstand constant arctic winter conditions?

What gets me even more, is that I seem to always find them on the most exposed and windy spots on the mountain sides and hilltops. They appear completely indifferent to the wind and the cold. It becomes obvious how well they have adapted to their environment. Their wool apparently has 6 times the insulating qualities of regular wool. No wonder they stay warm.

I am wrapped in several layers of underwear, polar fleece and outer shells that keep me warm. I had never paid much attention to high-tech clothes in the past. Part of that was probably the price tag: out of reach for a broke photographer who spends all of his money on camera gear. This time around however, I had received a sample of Patagonia´s winter clothes. I have to say I was totally impressed. The combination of inside layers and outer shells completely kept any wind from getting to me. It allowed me to hang out with the muskox patiently waiting for those special moments that make up a great image.

THE WINGED MIGRATION

I have been working on my second Freedom to Roam project ” B2B – The Wild Coast ” for a few years now. This spring I came back again to Baja California to photograph aspects of the massive migration that takes part along America`s West Coast. I was specifically interested in the different shore birds and waterfowl that rely upon a “daisy-chain” of wetlands on their migration to their nesting grounds up north in the high arctic. A lot of the habitats are in tidal zones along the coast. They are facing different pressures from encroaching development and the possibility of significant sea-level rise in the coming decades. For me the migrations symbolize the interconnectedness of the natural world like few other phenomenons.

In comparison to legged land mammals, birds have the incredible advantage of wings that lets them overcame huge distances of unsuitable habitat or developed landscapes. They however cannot master the enormous migrations without adequate reserves of energy. Migratory birds are dependent on important habitat that lets them consume large quantities of high energy food in a short period of time. It is therefore essential we set aside such important migratory bird sanctuaries that allows migratory birds to stop over in the course of their long migrations.

Migration hotspots can be found all along the west coast. One of the most famous locations for the Western Sandpipers is the Copper River Delta near Cordova, Alaska. Several million western Sandpipers make a stopover there before they continue their journey to the arctic.

I have been asked to provide our most striking wildlife image from last year. I wanted to ask around to get a more neutral approach, because I have fallen in love with all of this ones. So I thought writing a blog post might be the best way!

So I just need to know, from your perspective which ones from the following images, you think is the most striking wildlife shot!

Please try to be as selective as possible, that way I already can see what is worth sending and whit what I can spare some time.  If it gets published, I will let you know :0) Just click on the comments below, and you will find a form to send me the # number of your favorite image.

Thanks for your help! Here are the images:

#1 Caribou migration from the air. Alaskan Arctic:

#2 Aerial perspective of Murres swimming over icy waters. Alaskan Arctic.

#3 Munk’s Devil Ray congregation. Baja, Mexico.

#4 Ringed Seals resting over ice caps. Alaskan Arctic.

#5 Aerial perspective of two huge Fin whales launch feeding. Baja, Mexico.

#6 A wild mexican female jaguar patrols her territory close to Calakmul Biosphere Reserve,  Mexico.

click on comments below and send me the # number of your favorite shot! Thanks for your help! My deadline is next Monday

By the hundreds of thousands members of the Western Arctic Caribou Herd fill valley after valley, Nikon D3x, 24-70mm f2.8

Barren Ground Grizzly wandering the edge of the Arctic Refuge. Nikon D3x, 600mm f4 VR lens

Far away from the centers of our civilization lies a land of wonder, where hundreds of thousands of caribou roam the plains, where myriads of birds migrate to rear their chicks and where the kingdoms of grizzly and polar bears meet. It is America’s vast Arctic, far removed from the rest of the world, but heavily affected by humankind.

Thousands of murres gather on pools on the ice awaiting the nesting season on the nearby cliffs; Nikon D3x, 70-200mm f2.8

A large lead opens in the Chuckchi Sea between Pt. Hope and Cape Lisburne; Nikon D3x, 24-70mm f2.8

For many years environmental organizations have fought for the protection of the Alaskan arctic, but as the energy crisis worsens, pressure is driving Congress to open this wilderness sanctuary to oil drilling and mining operations. As part of my Freedom to Roam project in connection with the Blue Earth Alliance and Braided River Books, I am  working to produce photographic material in support of the Arctic Conservation Campaign. With compelling imagery I hope we can reach Congress and the general public by showing a true portrait of a land often called a “barren wasteland”.

Sea ice landscape at the edge of the lead. Nikon D3x, 14-24mm f2.8

A polar bear roams the edge of the packice in the Chuckchi Sea. Nikon D300, 200-400mm f4 + TC/E 1.4

After spending many months on the ground amongst hundreds of thousands of caribou, nesting birds and barren ground grizzlies in 2008, I realize, that the only way to cover this massive expanse of land is the aerial perspective. So in 2008 I started to plan a major “Arctic Aerial Expedition”, as part of the 2009 work on the Freedom to Roam project. The goal was to show wildlife in their environment, offering a true representation of the way animals depend on this interconnected ecosystem. My goal was to document the retreating sea ice, the platform for seals, walrus, birds and the polar bear as well as to document the 3 major caribou herds of the arctic slope.

I want to invite you to follow my blog as I am going to share with you some of the amazing experiences I had over the last weeks photographing Alaska`s Arctic. Please pass the info on to friends who are interested in wildlife, conservation, Alaska and photography.

Click here to view the embedded video.

The background. We had flown back to the spot of the wolf den after having seen the wolves there several weeks before. After we arrived at the location, we were in Mosquito-hell or mosquito heaven, depending from which perspective you look at it. Since we had made all the effort to get out there, I was not going to let the mosquitoes nor the river stop me from trying my luck with the wolves. (Yes I am stubborn about such things….)

In the middle of the river I was thinking however ———- “Hmmm, I am wondering if this is such a good idea. My insurance does not cover water damage on my D3x and the brand new Nikon 600mm f4 is not even insured at all. That be an expensive flush down the river……”

As you see myself there in the middle of the stream…. my speach bubble should read “Wholy Sh*T, what the hell am I doing”…….

To read a little more about sitting on the wolves then check out my post “Mosquito Heaven”

It is the worst trying to hold the lens still, when you feel the mosquitos landing on your hand starting to sting

Remember this moment, when you peacefully lay in bed on a warm summer evening, you close your eyes and want to finally relax and slip off into dream world……. and then suddenly you hear this single little mosquito flying around your head. You hear the ziiiiiiiiiiiiiiiiiiiiii ziiiiiiiiii coming closer to your face and you try to feel where this damn mosquito lands, so you can hit yourself over the head and hopefully smash the little bugger. Most of the time however your face may flinch in anticipation of the oncoming hand, giving this mosquito just enough time to escape its fate.

Well now multiply this mosquito by a thousand, NO! by tenthousand and you may be able to imagnine the kind of  hell you might find yourself in on an arctic river in summer. The noise level of mosquitoes resembles a concert of dog wissles that are just within the realm of the human ear.

So you are still with me? – ok; then you imagine my idea to wade through a river and sit patiently in the tundra near a wolf den to see if I might get lucky to get a photograph. Well yeah, this is the thing with me. If I have a glimpse of hope, my will can be pretty strong. ( Read about my story on PATIENCE )

So what was I after? I had know about this wolf den the year before. Together with my pilot we checked the location this year again to confirm that the wolves were actually still present. We did one round over the den and saw a grey wolf peacefully resting on the river bank. I got one image and this observation gave me reason to come back. When we planned to come back in July we thought about mosquitoes; I bought a mosquito net last minute, because I had forgotten mine. Thank god! As we arrived at the river and flow over the den site we still saw a black wolf nearby. That wolf never even looked up but just shook his fir. It was a sign. As soon as we landed, we know what was going on. This poor creature was so miserable, it could care less what we were all about. Aerial wolf-hunters? Who cares! Put me out of this misery!

Grey Wolf watching the den. Nikon D3x, 70-200mm/f2.8

Good thing we were of the other kind! Longer story short: After crossing the river, I sat down near the den for a couple of hours. For some reason the mosquitoes always found away to work their ways to my skin. I tried to stay calm and the dream of the wolf images kept me pretty upbeat. The bigger problem for me was that I saw not much sign of activity on the river bank. The sand seemed not disturbed from tracks of playing wolf pups, nor was there an obvious path where they would emerge. I checked out different angles but I just could not convince myself that these wolves would ever appear in the open, if they were there at all. So I decided to leave, one of the many times where a hope for an image did not result in success.

Maybe it saved my life, that there were no fresh signs! With my stubbornness I may have stayed out there until the mosquitoes would have sucked the last drop of blood out of me and just left my dried up outer shell – mummified; of course with camera in hand.

Grizzly on the coastal planes in the Alaskan Arctic

Hey everybody…….

I know I have been promising to write about my arctic aerial expedition. To tell you the truth, I am in kind of restless state where my thoughts are all over the place right now. The experience that I had in the arctic was so incredible. Some of the impressions were so profound, that I feel I cannot express it in a blog that I just write in a few minutes. I need to find a little more space first.

To get an idea of the vast arctic landscape touched me deeply. To see caribous by the hundred thousands was a long life dream of mine, that became reality in wonders that I hardly dared to imagine. I am aware that I see the last truly wild and wide ranging animals on this continent. I saw not caribou – I saw a larger organism: The herd as a whole.

I have some very difficult issues to go through right now and it is interesting how the landscape and the ancient rhythm of nature gave me not only a sense of place of being at home in nature and on this planet, but it also seemed to balance out some of the different realities we are living in. Nature is something very grounded, something pure and real. It gave me perspective. Maybe these are my spiritual moments. A friend just said to me: “When you are out there in wilderness – your are at church, Florian!” So much on this planet is full of wonder. I am fascinated to observe the interconnectedness of the natural world and to document some of the special moments I witness. It is a deep passion that seems to guide my life.

In our modern lives we are immersed in a very changed environment. Our realities change from city to city,work place,  friends, peer groups and family. It is our sense of perception and those influences. If one spends more time in nature it seems one can find more to one`s self.

Up in the arctic I immersed myself into a world apart. When this grizzly wondered down towards the riverbed he stood tall catching his balance, I felt welcome to wilderness.

So be patient with me. I will write about this incredible adventure of witnessing the caribou, seals on the ice and the polar bear…… hopefully soon!