Call of the Wild

Posted by Florian – February 8, 2011

The pemiere of our "Call of the Wild" show at the WunderWelten Festival

It took a number of weeks of concentrated work until Emil and I had finished our new multimedia presentation “Call of the Wild II”.  As a child I was inspired by Jack London to explore the wilds of North America with his picturesque language. We presented our premiere at the WunderWelten-Festival on the 7th of November 2010 in Friedrichshafen at Lake Constance. It was an incredible experience to see how many people flocked to the event until I stood in front of a sold-out hall with 1000 guests. The giant screen brought the images to life. In the new show, I had the opportunity to share my experiences in the wilderness of North America between Alaska and Baja California, with the audience.

WunderWelten was followed by a tour through Switzerland with over 18 events, other presentations in North America and Festivals in Germany. In the course of the last 3 months I was able to share my images and stories with over 7000 people. I have to be honest – being on stage day after day can be tiring, yet I became to love this medium of the “live-presentation”. It is very special. People experience the images, stories and the message in a very different way from a documentary on TV or a film in the movies.

Florian speaking at a Earthjustice event in the Times Building in New York City

It was a great experience for me to turn some of our most memorable experiences from our travels and expeditions into a multimedia presentation. It gave me the opportunity to travel back to the different locations through my mind and remember what I felt at the time. When we prepare the show we take special care to reproduce the  atmosphere of weather and light. Emil has a special ear for the ideal music that goes well with the images to reflect the mood of a place. This way we are able to take our audience out into the wilderness with us.

At the same time, I have the chance to talk about important environmental issues and specific threats to wilderness areas I am documenting. The feedback has been overwhelming. I just received another wonderful email yesterday: ” Seldom have I experience the people around me so involved. The story of the Caribou, the wolves and bears, an all the stories you were sharing – magnificent ! …. I always was certain that images had immense power, but I had absolutely no idea, that they could have such an incredible impact, that they go directly  “into the heart” ; that I would have never seen possible in such intensity ! “

With over 1600 people our larges audience to date at the Mundologia Festival in Freiburg, Southern Germany

Years ago I wrote a newspaper article about still images in the era of the moving picture. Even though I also have included some film clips, I once again realized the power of the still image. The eye can rest and absorb the photograph. The medium of the live presentation brings some calmness into our hectic society.

Our show "Call of the Wild II" at the Mundologia 2011

The time of presentations this spring has come to an end now. We now have to concentrate on our field work until the fall – when we will have a new series of shows.

Back from the ice

Posted by Florian – April 25, 2010

I am just back from the field. For over 2 weeks I traveled out on the sea ice and the fjords of Svalbard, camping in Polar Bear country. As I am typing I feel my finger tips tingling, still half numb from the cold. I am completely exhausted for a lack of sleep and the constant cold coupled with wind. In my search of special light I stayed up with my guide throughout  many nights out on the ice.

Following fresh polar bear tracks, Svalbard.

A high pressure system provided us with good weather and magical sunlight during the midnight hours. During the night the soft rays of the sun changed from a light yellow orange to pastel colored purple. The white blanket of snow lend itself as a blank piece of canvas to an ever changing show of colors, all orchestrated by the sun.

While the wonderful light kept me from sleeping at night, it was the possibility of an unexpected polar bear visit, that kept us awake during the day. As much as we all wanted, we could not just crash into our tent and sleeping bags. The risk of a bear visit was just to high. The thin tent wall was only protection from the wind but not for a curious polar bear. So we had to take turns polar bear guarding if we wanted to get some sleep. And that bears were around, we were reminded constantly by tracks zigzagging the pack ice. So I had my share of turns sitting around camp armed with a “polar bear pistol” loaded with cracker shells.

Florian stands on a giant iceberg to scan for Polar Bears, Svalbard.

Next to the landscape it was especially the arctic wildlife that I was seeking to photograph. Many hours a day I spent high up on a giant iceberg that calved from one of the surrounding glaciers, hoping to spot a polar bear that would wonder in our direction. It was one of my favorite places as I enjoyed an incredible view of the “Negre” Glacier front that continues on for many miles. The gull-like Fulmars were using the little uplifting winds around the ice berg walls, gliding by my observation post.

While out waiting, one has a lot of time making up imaginary images. I was hoping for an encounter with a polar bear with the magic light of the late night hours. But soon the time at the East Coast Glacier came to an end without finding a bear in this magic light, non-the-less close by. To see a bear at all proofed to become quite a challenge. My patience was being tested but I planned to return to the same place a week later to try my luck again. I did not want to let my hopes down – and I had the feeling persistence would eventually pay off.

So we packed up camp and started to head back towards a track across the grand glaciers to head up towards the northern part of the Spitzbergen Island. In a matter of hours the weather deteriorated and icy wind blew down the glacier bringing dark heavy clouds with it. It began to snow as we started the trek.

Gliding through a frozen world…..

Posted by Florian – April 19, 2010

Florian looks trhough a curtain of frozen needles inside the glacier cave, Svalbard.

With our guide Christopher we are getting the first impressions of the Svalbard landscape. With four teams of eager and highly energetic sled dogs we are heading out. The mountainous landscape is under a soft blanket of snow. The silence is interrupted only by the barking and yelping of the dog teams. We are planning to travel up to a glacier and enter through a narrow cave deep into the center of the frozen body of ice.

Sled dogs doing what they love the most, pulling!

The dogs had had a good rest before our trip and so the are ready to go. It is all that is on their mind. Everything needs to be tightly tied down on the sleds and before we give the go, we need to tie it down with a “ice hook” so that the dogs don`t take off with the sled by themselves. Once the sled is off the hook, the dogs take off like a bullet. The only way to slow the sled down is to push down on an iron plow-like break that digs itself into the snow.

Ice formations inside a glacier cave, Svalbar

Once the sled is on the go all the dogs are completely focused on pulling. Every individual wants to do its part and not lack behind. I guess that is what they are bread for. Pulling is what is on their mind. We make it up to the cave. I have little idea of what to expect. As my eyes start to adapt to the darkness I see a wonderful sculptured cave landscape. In some areas water must have melted late in the season and has created incredible ice sculptures. With my flashlight I am painting over the formations, leaving the curtain of my camera open for over one minute. The image that appears on the back of the viewfinder reminds me of a “Cathedral of Ice”.

As the water trickles inside, it glides over the icy surface and creates frozen needles hanging from the sealing of the cave. Svalbard

I had a small tripod with which it was easy to enter some of the narrow cavities. I used a cable release with a lock mechanism so I could keep have exposure times of 1 to 2 minutes. Another key was the more neutral colored LED light of my headlamp. It allowed for a more curate rendering of the colors.

Musk Oxen: Sovereings of the Arctic

Posted by Florian – April 6, 2010

Wrapped in layers of clothes I am laying on my stomach, watching a large group of longhaired beasts, that seemed to be from a prehistoric world. The wind has picked up in the course of the night to 40 miles and hour. It whips up the mountain sides and sweeps up small ice crystals that hit my skin like needles. In different areas blowing snow becomes thick and travels across the ground like a ghost of fog.

As parts of my face start to get colder and want to turn numb; and my hands can’t handle my camera anymore, I am thinking how lucky I am to be hit with this weather. It is these types of conditions, that I was hoping for. In my photography I really want to convey a sense of place – take people out into the field with me. For that, my images need to convey the harsh weather conditions, the powerful elements of the wind and the cold.

I am laying on the ground to get a unique perspective. The blowing snow creates this mystical atmosphere and ads to my interpretation of an animal that rather belongs to a children’s fairytale than to this world. I also have learned that the Muskoxen are much less mindful of my presence if I stay low to the ground. They often just eye me with curiosity.

As I am out there observing them many hours a day, I become ever more fascinated. What puzzles me the most is how they can live of a few lichen on the barren tundra, that they scratch up from underneath the snow. How can they possibly receive sufficient energy from this bit of vegetation to withstand constant arctic winter conditions?

What gets me even more, is that I seem to always find them on the most exposed and windy spots on the mountain sides and hilltops. They appear completely indifferent to the wind and the cold. It becomes obvious how well they have adapted to their environment. Their wool apparently has 6 times the insulating qualities of regular wool. No wonder they stay warm.

I am wrapped in several layers of underwear, polar fleece and outer shells that keep me warm. I had never paid much attention to high-tech clothes in the past. Part of that was probably the price tag: out of reach for a broke photographer who spends all of his money on camera gear. This time around however, I had received a sample of Patagonia´s winter clothes. I have to say I was totally impressed. The combination of inside layers and outer shells completely kept any wind from getting to me. It allowed me to hang out with the muskox patiently waiting for those special moments that make up a great image.

F2R – Moving North – Ocean wonderers

Posted by Florian – April 3, 2010

It is the time of the year that the Grey Whales are making their journey back north migrating some 6000 miles along America`s west coast from Baja California to the Bering Sea. The grey whale is one of the flagship species representing my “B2B – Freedom to Roam” project. They literally migrate the entire distance twice a year. It is the longest migration undertaken by any mammal on the planet. For me it was really important to document this migration story as part of the project.

Thousands of whales return to the lagoon systems of Baja California every year.  It is where the mating takes place and where pregnant Grey Whale mothers give birth to their calves. Over the past 2 years I spent several weeks in the different lagoons of Laguna Ojo de Liebre, San Ignacio and Bahia Magdalena to get  a true insight into this part of the whale`s life. It is magical how the lagoons come to life with the whales.

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SPRING MIGRATION – HEADING NORTH

It is the time of the year now, that the whales are heading back north. Males start leaving the lagoons as early as February, followed by the females without calves in early March and eventually by the females with calves in late March and April. Traveling an average of 75 miles a day the journey back north takes them about 2 to 3 moths.

I had a “slight” change of plans and instead of staying in Baja California until May I am heading north to the Arctic myself. I am planning to photograph arctic wildlife, while the landscape is still frozen and the animals are shown in the arctic elements.